IT CONQUERED THE WORLD directed by Roger Corman - USA 1956 The following is an excerpt from Roger Corman's biography, How I Made a Hundred Movies in Hollywood and Never Lost a Dime, about the making of It Conquered the World: "Before shooting, Beverly (Garland) ad-libbed a few sharp lines of her own. From my engineering and physics background, I'd reasoned that a being from a planet with a powerful field of gravity would sit very low to the ground. So with my effects man, Paul Blaisdell, I'd designed a rather squat creature. But just before we were to shoot the climatic showdown with Beverly and the monster, she stood over it and stared it down, hands on her hips. "So," she said with a derisive snarl, making sure I heard her, "you've come to conquer our world, have you? Well, take that!" And she kicked the monster in the head. I got the point immediately. By that afternoon the monster was rebuilt ten feet high. Lesson one: Always make the monster bigger than your leading lady." A friend of mine once asked what was the differance between Roger Corman and Ed Wood. Well, I think Roger was a little more technically sound and definately more savy in judging talent. I think Roger made films while Ed tried to make movies. This was one of Roger's first attempts at science fiction. It played as a double bill with The Day the World Ended. It is also one of the first co-productions with AIP. As far as this film goes, I think it's lofty script ambitions (Scripted by another Corman regular, Lou Russof) were sold a little short by production costs. It's communistic overtones aren't very subtle. The only person refusing to evacuate is the newspaper man and the zombie sheriff quickly kills him. Freedom of the press isn't that free I guess. It borrows heavily (Okay, ripped off.) from Invasion of the Body Snatchers and The Day the Earth Stood Still. Another Corman trademark, exploitation at its best. 3-B Theatre Much of "It conquered the world" is unconvincing, or silly, or simply cheap. Dialogue like "That superior intelligence happens to be a personal friend of mine" doesn't help matters either, though it is memorable. But what's good about the picture is very good. The rest of the dialog is mostly vivid -one doesn't ask for or even want realitic dialog in most of these films- and the performances are mostly very interesting. The ideas are sharp and intelligent, and Corman's direction and pacing are effective. The score by Ronald Stein is also very good for such an inexpensive film. Simply because of the absurdity of its monster, "It conquered the worls" is scorned even by people who should know better. (The failed ambition of the title also seems to be a factor in the low opinions of some.) The remake, "Zontar the thing from Venus (1968) was instructively worse: the same script resulted in a ghastly disaster when directed and acted by incompetents. But had the script been given a solid, careful rewrite and A-budget treatment, "It conquered the world" could easily have been one of the best SF films of the 1950s. Bill Warren "Keep watching the skies!" McFarland & Company, Inc., publishers (http://utenti.tripod.it/sci_fi/conqrece.html)